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An Arrow Hits Its Target

6 December 2017

In the moderately unlikely event that you find yourself about to be shipwrecked on a desert island and forced to choose a single year of British cinema to take with you as the sole entertainment for...

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Feel My Pain: Communicating Empathy in Yorgos Lanthimos’ Films

23 November 2017

The Killing of a Sacred Deer mines similarly queasy dystopian material to Yorgos Lanthimos’ first English language film The Lobster, but this time goes for full-blown horror as the overriding tone,...

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A Murder Revisited

9 November 2017

Almost sixty years since it was first presented in cinemas Alfred Hitchcock’s Psycho still exerts a considerable influence over representations of screen violence. This is the central thesis of an...

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25 Years of Dead By Dawn

26 October 2017

When I tell people I’m a festival director they think it sounds glamorous. When I tell them I’m a horror festival director, they often change their mind. I understand: horror can be a very...

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The Lustful Beauty of Call Me By Your Name

16 October 2017

How rare it is to find a film that touches you quite like Call Me By Your Name does. A queer drama from Luca Guadagnino (A Bigger Splash) that’s made all the more remarkable thanks to its universal...

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Filmosophy: Being Charlie Kaufman

16 October 2017

Is Charlie Kaufman a philosopher? Many believe so. His films are increasingly screened in classrooms and lecture halls (as well as cinemas) and in 2011 philosophers contributed essays to an edited...

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